Digital Performer 1.x
Version history · release evidence · compatibility notes · documentation
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1992 1.0 (#post_dp_1_0) · 1.01 (#post_dp_1_01) · 1.1b (#post_dp_1_1b)
1993–94 1.3 (#post_dp_1_3) · 1.4 (#post_dp_1_4) · 1.41Y (#post_dp_1_41y)
1995 1.5 (#post_dp_1_5) · 1.6 (#post_dp_1_6)
1996 1.61 (#post_dp_1_61) · 1.62ß (#post_dp_1_62b) · 1.7 (#post_dp_1_7) · 1.71 (#post_dp_1_71)
Digital Performer 1.0
Date / status: 1992
CONTEMPORARY REFERENCES
reMarks 3 (https://archive.org/details/reMarks_Number_3_Summer_1991_Digital_Performer_reconstructed) · SOS Oct 90 (https://www.muzines.co.uk/articles/what-a-performer/7296#page=4) · SOS Mar 91 (https://www.muzines.co.uk/articles/winter-namm-report/7383#page=1) · SOS Apr 91 (https://www.muzines.co.uk/articles/shape-of-things-to-come/7403#page=1) · SOS Dec 91 (https://www.muzines.co.uk/articles/shape-of-things-to-come/7540#page=1) · MIX Jan 92 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/90s/92/Mix-1992-01.pdf#page=51) · SOS Mar 92 (https://www.muzines.co.uk/articles/welcome/9332#page=1) · SOS Mar 92 (https://www.muzines.co.uk/articles/winter-1992-namm-show-report/9336#page=1) · REP Mar 92 (https://www.worldradiohistory.com/Archive-All-Audio/Archive-Recording-Engineer/90s/REP-1992-03.pdf#page=28) · REP Mar 92 (https://www.worldradiohistory.com/Archive-All-Audio/Archive-Recording-Engineer/90s/REP-1992-03.pdf#page=61) · MT Apr 92 (https://www.muzines.co.uk/articles/the-mman-from-namm/999#page=1) · SOS May 92 (https://www.muzines.co.uk/articles/mac-notes/9404#page=1) · SOS May 92 (https://www.muzines.co.uk/articles/frankfurt-musik-messe-1992/9387#page=1) · MT May 92 (https://www.muzines.co.uk/articles/frankfurt-paydirt/1007#page=1) · REP May 92 (https://www.worldradiohistory.com/Archive-All-Audio/Archive-Recording-Engineer/90s/REP-1992-05.pdf#page=28) · REP May 92 (https://www.worldradiohistory.com/Archive-All-Audio/Archive-Recording-Engineer/90s/REP-1992-05.pdf#page=67) · SOS Jun 92 (https://www.muzines.co.uk/articles/music-on-the-macintosh/9426#page=1) · EM Jun 92 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1992/Electronic-Musician-1992-06.pdf#page=12) · MT Jun 92 (https://www.muzines.co.uk/articles/inner-space/2325#page=1)
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Digital Performer 1.01
Date / status: Jul 92
CONTEMPORARY REFERENCES
MT Jul 92 (https://www.muzines.co.uk/articles/news-of-the-world/1023#page=1) · MIX Aug 92 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/90s/92/Mix-1992-08.pdf#page=74) · EM Sep 92 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1992/Electronic-Musician-1992-09.pdf#page=40) · MT Sep 92 (https://www.muzines.co.uk/articles/the-digital-maze/1159#page=1) · SOS Sep 92 (https://www.muzines.co.uk/articles/wot-no-tape/9498#page=1) · MT Oct 92 (https://www.muzines.co.uk/articles/dynatek-cdr888/1182#page=1)
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Digital Performer 1.1b
Date / status: 1992
CONTEMPORARY REFERENCES
SOS Nov 92 (https://www.muzines.co.uk/articles/apple-notes/9560#page=1) · SOS Nov 92 (https://www.muzines.co.uk/articles/yamaha-cbx-d5-digital-recorder/9546#page=1) · SOS Nov 92 (https://www.muzines.co.uk/articles/steinberg-cubase-audio/9555#page=1) · EM Dec 92 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1992/Electronic-Musician-1992-12.pdf#page92) · EM Dec 92 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1992/Electronic-Musician-1992-12.pdf#page106) · Recording Musician Jan 93 (https://www.muzines.co.uk/articles/mix-revolution/3021#page=1)
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Digital Performer 1.3
Date / status: Mar? Apr? May? Jul? 1993
CONTEMPORARY REFERENCES
SOS Mar 93 (https://www.muzines.co.uk/articles/apple-notes/10539#page=1) · SOS Arp 93 (https://www.muzines.co.uk/articles/apple-notes/10564#page=1) · SOS May 93 (https://www.muzines.co.uk/articles/a-touch-of-magic/10580#page=1)
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Digital Performer 1.4
Date / status: Aug? Oct? 1993
CONTEMPORARY REFERENCES
EQ Oct 93 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-1993-10.pdf) · MT Aug 93 (https://www.muzines.co.uk/articles/the-hard-edge/7561#page=1) · EM Sep 93 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1993/Electronic-Musician-1993-09.pdf#page=101)
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Digital Performer 1.41Y
Date / status: 1994
COMPATIBILITY NOTE
Last version to support CBX-D5 (Yamaha-MOTU agreement lasted only 1 year)
CONTEMPORARY REFERENCES
FAQ (Last Updated: September 11, 1996) (https://web.archive.org/web/19970113174642/http://motu.com:80/pages/DPFAQs.html)
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Digital Performer 1.5
Date / status: Available by May 1995
AUTHORIZATION
v1.5 - v1.71 use the same Master Disk Hard Disk Authorisation system
CONTEMPORARY REFERENCES
SOS May 95 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1995/Sound-on-Sound-1995-05.pdf#page=62)
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Digital Performer 1.6
Date / status: ca. Aug 1995
CONTEMPORARY REFERENCES
SOS Aug 95 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1995/Sound-on-Sound-1995-08.pdf#page=2) · SOS Aug 95 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1995/Sound-on-Sound-1995-08.pdf#page=18) · SOS Dec 95 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1995/Sound-on-Sound-1995-12.pdf#page=168) · FAQ (Last Updated: September 11, 1996) (https://web.archive.org/web/19970113174642/http://motu.com:80/pages/DPFAQs.html)
DOCUMENTATION / RELEASE NOTES
Compatibility headline
Now Supports Pro Tools II & III and TDM
Overview
About Digital Performer - Overview - Digital Performer™ provides a powerful new approach to making music in the MIDI era: it integrates MIDI with desktop digital music production on the Macintosh computer. Digital Performer allows you to simultaneously record and play back multiple tracks of digital audio and MIDI data in a comprehensive, totally integrated, creative environment. Digital Performer’s award-winning multitrack sequencer design, combined with new non-destructive digital audio editing capabilities, provide you with unprecedented flexibility and control over the music that you make.
Digital Performer supports the following Digidesign hard disk recording systems: ■ Audiomedia ■ Audiomedia II ■ Audiomedia LC ■ Sound Tools II ■ Pro Tools (4 - 16 channels) ■ Pro Tools III (16 - 48 channels) ■ TDM and TDM-compatible software plug-ins
Integration with Performer’s existing interface - In developing Digital Performer, we have integrated audio features into Performer’s existing features in a way that complements Performer’s unique user interface—and accommodates those of you who are already familiar with Performer. In fact, many features in Performer work on audio data in exactly the same way as MIDI data. For example, soundbites (parcels of audio data) have on-velocities just like notes. You can edit them in the same way as you edit note velocities. Soundbites can be cut, copied, and pasted in exactly the same fashion as MIDI note data.
If you are not familiar with hard disk recording and playback, there are aspects to Digital Performer that may be entirely new to you. If so, we recommend that you review chapter 6, “Hard Disk Recording Basics” (page 47) for a briefing on concepts that are crucial for working with Digital Performer.
Digital audio specifications - Digital Performer records professional, CD-quality monophonic digital audio at whatever sampling rates are offered by the recording hardware being used. Digital Performer can record in stereo by recording into a pair of audio tracks. Recording with Digital Performer produces approximately 5 Megabytes of data per minute of monophonic audio at 44.1 kHz (10 megabytes per minute of stereo). Digital audio data can be backed up and mixed down to any standard digital audio medium.
File formats - Digital Performer generates 16-bit, Sound Designer II files at any available sampling rate. It can load and play back files in thefollowing formats: Sound Designer, Sound Designer II (mono), and Audio IFF.
New features in Version 1.6
New Features in Version 1.6
All new features in Performer Version 5: Digital Performer 1.6 has all of the new features introduced in Performer Version 5, including color, Groove Quantize, and more.
Movie Window for digital video playback: Digital Performer 1.6 can play back QuickTime movies.
Using the mouse to edit values in text boxes: You can now change number or note values in text edit boxes throughout the program by clicking on the text box and dragging up or down. You can also still edit text box values in the usual ways (by typing, etc.).
Support for the Digidesign Audio Engine (DAE): Digital Performer Version 1.6 has been completely re-engineered for the Digidesign Audio Engine (DAE) . DAE handles the core tasks of interacting with the Digidesign audio recording hardware. Digital Performer’s support for DAE provides support for: ■ Pro Tools III (16-48 tracks) ■ Pro Tools (4-16 tracks) ■ 4 independent audio inputs/outputs in Sound Tools II systems ■ Audiomedia LC support ■ Complete support for TDM ■ Future compatibility with Session 8
Support for TDM: Digital Performer’s TDM-related features allow you to mix and process audio tracks with TDM plug-ins if you have a Pro Tools I with TDM or Pro Tools III hardware setup. TDM effects are accessed via the effects inserts in the new Mixing Board window (described later). pananrnneti The number of effects that you can apply simultaneously depends on TBM Plug-Ins the amount of DSP processing hardware you have in your system. The example below shows Digidesign’s 4-band EQ plug-in.
Multi-track graphic editing window for audio tracks: There is now one graphic editing window for all audio tracks in a sequence. In the window, you can quickly display and hide any combination of the audio tracks in a sequence. In addition to many other advanced graphic editing features, this window displays and edits audio volume, audio pan, and loop data directly on top of the audio waveforms in each track.
The Mixing Board window: totally integrated mixing, EQ, and effects: The new Mixing Board window has channel strips controlling volume, pan, inserts, solo, mute, and automation for every audio and MIDI track. You can configure this window to display all or any combination of the tracks in a sequence, and you can save board layouts for instant recall. Volume and Pan are available for both MIDI and audio tracks. Effects are available for all MIDI tracks and all audio tracks Gif the hardware supports audio effects). Choosing an effect from one of the insert pop-up menus opens the Effects window.
Effects window: The Effects window can be accessed by choosing the desired effect from the channel insert pop-up menus in the Mixing Board as shown in Figure 3-1 on page 18. The Effects window provides access to all third-party TDM plug-ins you have in your system, as well as MIDI processing parameters for MIDI tracks.
MIDI output processing: MIDI tracks can now be non-destructively processed with MIDI “effects”. This means that you can transpose a track on the fly, for example, without affecting the original data in the track. MIDI processing is located in the effects section of the new Mixing Board window. This new feature offers two initial effects: transposition and velocity compression. Look for many other MIDI processing modules in future versions of Digital Performer, including quantizing, shifting, and many more.
Improved audio file management and organization: Digital Performer offers improved sound file management. Audio files for a Digital Performer project are stored in an automatically created Audio Files folder. You can store the audio files wherever you want—even on a different hard drive—and Digital Performer will keep track of them by placing System 7 aliases in the folder. Digital Performer keeps better track of audio files by taking advantage of other System 7 file management enhancements.
Audio scrubbing: Version 1.6 offers scrubbing in soundbites by command-dragging inside a pop-edited soundbite as shown below.
Scrubbing while selecting: When you are selecting a region of audio within a soundbite, you can scrub the audio as you select to get auditory feedback of what youare selecting.
Adjusting soundbite boundaries: The boundaries of soundbites can now be freely adjusted by dragging the endpoints of the soundbites. The waveform is“uncovered” or covered as you drag to show more or less of the audio data in the audio file.
Dragging and dropping soundbites: You can drag and drop soundbites from the Soundbites window into the Tracks Overview, Event List window, and the Graphic Editing window. In the Graphic Editing window and Tracks Overview, use the command key while dragging to place the soundbite at the end of the previous one to quickly build a playlist.
Soundbite “throwing” in the Graphic Editing window: By command-dragging soundbites in the Graphic Editing window, you can “throw” them to the edge of the next or previous soundbite. You can achieve a similar effect by dragging soundbites from the Soundbites window into an event list, which drops the soundbite into the track at the end of the last soundbite.
Enhancements for selecting and editing inside soundbites: Many enhancements have been made to select and edit audio within a pop-edited soundbite. For example, you can now scroll and zoom the window as needed while the soundbite remains popped up. You can even do so with a portion of the soundbite highlighted. You can also cut, copy, or erase a highlighted region within a soundbite.
Enhancements to the Audio Monitor window: The Audio Monitor has numerous small enhancements to improve its usefulness during a session.
Edit on Zero Crossings command: You can now control whether Digital Performer will automatically find zero crossings when you edit soundbites with commands such as cut, copy, split, trim, etc. Turning off Edit on Zero Crossings mode gives you greater precision. Turning it on helps avoid noise artifacts at edit boundaries.
MIDI Time Code Generation: Digital Performer can now transmit MIDI Time Code to any piece of MIDI hardware in your setup via the Transmit Sync command in the Basics menu. It can also transmit MTC to other applications running at the same time as Digital Performer when Inter-application MIDI is turned on in FreeMIDI Setup preferences (File menu).
MTC is generated at the SMPTE frame rate specified for the current file except when Digital Performer is set to Slave to External Sync and is receiving MTC. In this case, incoming MTC is echoed directly.
To generate MTC: Choose Transmit Sync from the Basics menu. Choose a destination for MTC from the pop-up menu. You can choose more than one destination by clicking on the menu as many times as needed. Choose the destination again from the menu to turn off MTC transmission. If Inter-application MIDI is enabled in FreeMIDI Preferences (FreeMIDI Setup, File menu) you can send MTC to other FreeMIDI applications (including OMS applications, if OMS Emulator is installed).
Frame Rate command in the Basics menu: You can now set the SMPTE frame rate for a file using the Frame Rate command in the Basics menu. When you choose this command, a hierarchical menu appears containing the various supported SMPTE frame rates. Choose one and it will change the SMPTE frame rate for the current file. This has the same effect as setting the SMPTE frame rate from within the Receive Sync dialog.
Improved audio track muting and soloing: Audio tracks now mute and solo faster than previous versions. When muting, the response is instantaneous. When unmuting, the response depends on whether the DAE still has audio data to play. If it does, then the response is instantaneous. If not, then there is a delay while the DAE reloads its buffers.
Soundbite names can be edited in edit windows: Option-click to pop-edit soundbite names now in the event list window and in the graphic editing window info bar.
Audio faders now animate during playback: Audio faders in consoles now animate during playback to reflect audio volume and pan controller data in the track. Faders for audio tracks in the Mixing Board also animate during playback.
New preferences: There are several new audio-related preferences. You can set preferences in by choosing Preferences from the File menu.
System requirements
Audio hardware requirements: Digital Performer 1.6 supports the following Digidesign audio cards: ■ Audiomedia I and II ■ Audiomedia LC ■ Sound Tools II ■ Pro Tools (4-16 channels) ■ Pro Tools Project (formerly called Session 8 ) ■ Pro Tools III (16-48 channels).
Refer to Digidesign for information about the compatibility of the hard disk(s) you plan to use with the Digidesign Audio Engine (DAE) and their audio hardware.
Some of these audio cards may not be supported in future versions of DAE. Please check with Digidesign for the latest information regarding future compatibility.
Macintosh requirements: Digital Performer will run on any Macintosh that is compatible with the Digidesign audio cards listed in the previous section. Please contact Digidesign about the compatibility of these audio cards with specific Macintosh models.
System software requirements: Digital Performer requires System 7.0 or higher with 32-bit memory addressing enabled. If your Mac is not 32-bit clean, the Digital Performer installer will automatically install MODE32 or the 32-bit Enabler, whichever is correct for your Mac model. However, you must still enable 32-bit addressing manually after running the installer.
RAM requirements: Digital Performer requires a minimum of 12 megabytes of RAM, but this configuration may require you to lower Digital Performer’s default memory partition or strip your system of extensions, control panels and fonts. More RAM is recommended. If you have System 7.5 or higher, you will probably need more than 12 Mb of RAM because of the size of System 7.5.
Install and test your Digidesign hardware first
We recommend that you install and test your Digidesign hardware before installing Digital Performer 1.6. If possible, try playing back some audio with Sound Designer II or other Digidesign software to verify that the hardware is properly installed and functioning normally. If you experience problems, this will help narrow your focus and eliminate Digital Performer as a possible cause. Once you’ve got the Digidesign hardware working, you will most likely not have problems with Digital Performer.
Installation & authorization
Installing Digital Performer 1.6: Before installing Digital Performer, we recommend that you review the hardware requirements listed above before proceeding.
Restart your Macintosh with Extensions OFF by holding down the Shift key while powering it up.Insert the Digital Performer 1.6 master disk (the disk with the colored glossy label) in any floppy drive and double-click the installer program named “Double-Click to Install”.
Follow the instructions provided. Currently, the installer installs DAE 1.32, DigiSystem 2.8, AROSE 1.19 (only needed on System Accelerator-equipped Macs) and Pro Tools SysAxe 2.34 (only needed on System Accelerator-equipped Macs). If you already have any of these Digidesign files in your system, the installer will only replace them if they are older versions. Please contact Digidesign for information on newer versions of these files.After completing the installation, restart your Mac.
Launch Digital Performer 1.6 and you will be asked to write-enable and insert the Digital Performer 1.6 master disk.
This will authorize Digital Performer 1.6 to run on your hard disk. If you want to install Digital Performer on a hard disk other than the one to which the installer copied it, drag the Digital Performer™ 1.6.ƒ folder to that hard disk before launching and authorizing.
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Digital Performer 1.61
Date / status: ca. Mar '96
CONTEMPORARY REFERENCES
EQ Mar '96) (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-1996-03.pdf) · FAQ (Last Updated: Sep 11 '96) (https://web.archive.org/web/19970113174642/http://motu.com:80/pages/DPFAQs.html)
DOCUMENTATION / RELEASE NOTES
Version 1.61 enhancements
VERSION 1.61 ENHANCEMENTS
Support for up to 64 tracks of Pro Tools
Users with TDM systems that include more than 16 voices can now use the additional voices.
Running as a “MIDI Only” application
The Basics menu now has a checkable “MIDI only” item. Select MIDI only mode to disable audio functions in Digital Performer. The MIDI Only and Configure Hardware commands are available when no file is open. When MIDI Only is enabled, project folders for New and Existing files are not created.
Improved Audio Patch Thru
Audio Patch Thru now provides two monitor modes on TDM systems. When an audio track is record-enabled, input audio is always patched thru during recording and when stopped. Enable Audio Patch Thru (the headphone icon button in the Audio Monitor window title bar) to control whether Audio Patch Thru also occurs during playback. Note that when Audio Patch Thru is enabled, soundbites in record-enabled tracks are not played back.
Mono versus stereo monitoring
On non-TDM systems (original ProTools, Session 8, and Audiomedia II), the Audio Monitor mini-menu has two new checkable monitor modes: Mono Monitoring and Stereo Monitoring. This controls whether inputs are patched thru directly to the corresponding output or mixed to the output pair.
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Digital Performer 1.62ß
Date / status: Available by Feb 24 '96
DOCUMENTATION / RELEASE NOTES
Version 1.62 enhancements
VERSION 1.62 ENHANCEMENTS
Session 8 support - Digital Performer, along with the latest version of the DAE, supports up to 50 virtual audio tracks, audio scrubbing, 4 virtual EQ's (1 per track), and audio controller automation with the Session 8 hardware.☛ Please note that Digidesign calls the Session 8 hardware “Project” in the DAE’s Hardware Configuration dialog box.☛ Using a large number of virtual tracks or a smaller number of virtual tracks with denser automation data on Session 8 systems will cause DAE -9155 errors. This is a result of the performance limits of the Session 8 card itself.
Bridge I/O supportDigital Performer now supports all of the audio inputs and outputs that may be made available by installed Bridge I/O cards.
SampleCell TDM supportThe SampleCell TDM outputs can now be routed to Digital Performer as inputs to an audio track.
Nudging with the arrow keysJust select some data in the MIDI or Audio Graphic Editing window and type the left or right arrow keys on your Mac keyboard to nudge the data forward or backward in time. The Nudge amount varies with the current Zoom level if Edit Resolution is disabled and equals the Edit Resolution value if Edit Resolution is enabled.
Preference for disabling Disk I/O alertsOn expanded TDM systems with more than one Disk I/O card, soundbites from soundfiles that reside on a hard disk connected to a specific Disk I/O card can only play back on audio voices specific to that Disk I/O card. Whenever Digital Performer notes a hard disk/voice conflict, it produces a warning alert. There is a new preference in the Preferences dialog box that allows you to disable this warning alert. Soundbites that cannot playback due to these conflicts appear with X's in their display in the audio graphic editing window.
Bug fixes
Bugs fixed since Version 1.61
• This latest version of the DAE seems to fix random crashing during playback problems that some users have reported to both MOTU and Digidesign.
• A bug that causes crashes when certain TDM plug-ins are installed has been fixed. This was caused by plug-ins with names that contained more than 31 characters.
•A bug that caused available memory to be used up while fast forwarding or rewinding in files with audio tracks with automation disabled has been fixed.
• Potential crashing problems when adding audio tracks or mixing audio have been fixed.
• Problems with incorrect playback of automation data have been fixed.
• Potential crashing problems when editing data in the Event Info bar of Graphic Editing windows has been fixed.
• Problems on 442 (w/no TDM) and AudioMedia II systems that caused bogus DAE errors to be reported when working at or near the virtual track limit have been fixed.
• Error reporting of automation data queuing errors has been improved. Errors that do not cause actual playback problems should be reported less often, if at all now.
• A crash that occurred when copying and pasting sequences that had Device group assignments in their tracks was fixed.
• Deselecting a soundbite in the soundbites window no longer makes it audition in audible mode.Bugs fixed since Version 1.6
• A bug that could have caused intermittent crashing problems when edge editing soundbites has been fixed.
• A bug that could have caused intermittent crashing problems during playback has been fixed.
• The response of the Transport Controls in files with many audio tracks and files with many chunks has been greatly improved.
• Miscellaneous bugs with the reading and writing of standard MIDIfiles have been fixed.
• A bug that could cause MIDI Time Code (MTC) to be transmitted incorrectly has been fixed.
• A bug that could cause Digital Performer to intermittently start at an offset from the chunk's actual SMPTE start time when playing back while slaved to external SMPTE was fixed.
• Bugs that caused problems when opening older Performer and Digital Performer files that contained Custom Consoles have been fixed.
• Some bugs with the Compact command were fixed.
• A bug that caused problems when opening files that contained Console controls assigned to Device Groups has been fixed.
• On TDM systems, event chasing of audio pan and volume data has been greatly improved.
• Console controls no longer send their current values whenever the current Counter location is changed.
• Console controls in Console windows that are closed no longer have their values recorded to their targets during non-Auto Punch recording.
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Digital Performer 1.7
Date / status: Jan? Feb? '96
CONTEMPORARY REFERENCES
Docs (https://web.archive.org/web/19970603084653/http://www.motu.com:80/downloads/DigiPerfMac/DigitalPerformer1.7Docs.pdf)✓, EM Jan '96 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1996/Electronic-Musician-1996-01.pdf#page=160)✓, SOS Feb '96 (https://www.worldradiohistory.com/Archive-All-Audio/Archive-Studio-Sound/90s/Studio-Sound-1996-02.pdf#page=34)✓, EM Jul '96 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1996/Electronic-Musician-1996-07.pdf#page=170)✓, SOS Aug '96 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1996/Sound-on-Sound-1996-08.pdf#page=18)✓, SOS Sep '96 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1996/Sound-on-Sound-1996-09.pdf#page=126)✓
DOCUMENTATION / RELEASE NOTES
Bugs fixed since Version 1.62
Bugs fixed since Version 1.62
• A bug that caused edge-editing problems with soundbites located at large measure numbers with edit resolution set to small values has been fixed.
• A bug that caused improper volume playback when playing soundbites in Song chunks with automation enabled and no automation data in the soundbite's track has been fixed.
• A long-standing bug that could cause soundfiles still containing soundbites to improperly be deleted has been fixed.
• Soundbites with velocities other than 127 are now chased properly when beginning playback after their attack time.
• Drag-and-drop of soundbites into the Audio Graphic Editing window now snaps to the Edit Resolution, if Edit Resolution is enabled.
• Digital Performer now remembers the positions of most windows, even if they are not open when you save the file.
• Edits to audio tracks can be heard right away. In previous versions, the old data could still play for 5 - 10 seconds.
• The Audio Graphic Editing window now draws soundbites correctly in Conductor track mode, when there is not a constant tempo.
• The Scale Tempos... command will now insert a tempo event at the beginning of the selection, if there was not already one there.
• An old bug that caused a crash when play-enabling a linked chunk while the Mixing Board window was open has been fixed.
• A bug that caused stereo/mono monitoring (Project and Session 8 hardware only) preference to be set incorrectly when first opening Digital Performer has been fixed.
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Digital Performer 1.71
Date / status: 19 March '96, 6 June '96, and 7 June '96 timestamps
CONTEMPORARY REFERENCES
MacWorld Sep '96 (https://vintageapple.org/macworld/pdf/MacWorld_9609_September_1996.pdf#page=78)✓, Digidesign PCI Systems Compatibility - Supported Digidesign Hardware, Software, and CPU Configurations (https://web.archive.org/web/19970113174010/http://motu.com:80/downloads/Extras/PCISystems.pdf)
DOCUMENTATION / RELEASE NOTES
Installation, authorization, PCI features & bug fixes
For complete information on the features included in Digital Performer 1.71, please read the "Guide to Pure DSP/Read This First, Installation Guide" booklet, which comes with your Digital Performer 1.7 update package.
INSTALLATION - To install the Digital Performer 1.7 to 1.71 updater, locate the DP 1.7 to 1.71 Updater application and double-click it's icon. The updater will ask you to locate Digital Performer 1.7. Once you have located it click "Update" and version 1.7 will be updated to version 1.71.The updater will leave your original version 1.7 intact.
Digital Performer 1.71 uses the same hard disk authorization as Versions 1,5, 1.6, 1.61, 1.62ß and 1.7. So if your hard disk is authorized to run any of these earlier versions, Version 1.71 will also run. Depending upon from which version you are updating, the first time you launch Digital Performer 1.71, you may get a message asking for the original authorization master disk. After re-verifying your authorization, you will not be asked for the master disk again.
NEW PCI FEATURES AND NOTES
•Support for Digidesign's AudioMedia III, Pro Tools Project PCI, and Pro Tools III PCI.
•AudioMedia III supoprt provides 8 audio playback voices (virtual track limit of 32) and 8 total channels of EQ with 1 insert per track
•Pro Tools Project PCI support provides 8 audio playback voices (virtual track limit of 50) and 8 total channels of EQ with 2 inserts per track.
•Pro Tools III PCI support (core system) provides16 audio playback voices (virtual track limit of 49) and more DSP resources available per DSP chip.
•Improved DSP allocation for TDM mixers. Digital Performer now takes advantage of the added processing power of PCI TDM systems (allowing up to a 36x2 mixer on PCI systems, only 24x2 on NuBus systems).
•DAE 3.0 is required for PCI systems and will not run on NuBus systems.
•We recommend DAE 3.01 for PCI and DAE 2.96 for NuBus.
•For Pro Tools Project PCI users DAE 3.01 is required.
•Digidesign is making DAE 3.01 availble soon. We will post it for downloading at our web site (www.motu.com) as soon as we have it.
BUG FIXES IN VERSION 1.71
Bugs fixed since Version 1.7
•A bug that caused a random crash while edge editing has been fixed.
•A bug that would cause a crash when opening files with the Song window open has been fixed.
•Fixed a bug in the Mixing Board that incorrectly activated track automation while automation was disabled if a TDM plug-in was instantiated.
↑ Back to version index (#post_dp_top)
Digital Performer 2.x–3.x
Version history · release evidence · compatibility · installation notes · documentation
Quick navigation
Click any version to jump directly to its full entry.
1997 2.0 (#post_dp_2_0) · 2.1 (#post_dp_2_1) · 2.11 (#post_dp_2_11) · 2.2 (#post_dp_2_2)
1998 2.3 (#post_dp_2_3) · 2.4 (#post_dp_2_4) · 2.41 (#post_dp_2_41) · 2.42 (#post_dp_2_42) · 2.43 (#post_dp_2_43) · 2.5 (#post_dp_2_5)
1999 2.51 (#post_dp_2_51) · 2.6 (#post_dp_2_6) · 2.61-MTS (#post_dp_2_61mts)
2000 2.7 (#post_dp_2_7) · 2.71 (#post_dp_2_71) · 2.72 (#post_dp_2_72)
2001–02 3.0 (#post_dp_3_0) · 3.01 (#post_dp_3_01) · 3.02 (#post_dp_3_02) · 3.1 (#post_dp_3_1) · 3.11 (#post_dp_3_11)
Digital Performer 2.0
Date / status: Shipping Jan 16, 1997
CONTEMPORARY REFERENCES
EM Jul 97 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1997/Electronic-Musician-1997-04.pdf#page=168) · Sweetwater "Feb 24 97" (https://web.archive.org/web/19990504153410/http://insync.sweetwater.com/archive-feb97.html) · Sweetwater "Feb 27 97" (https://web.archive.org/web/19990504153410/http://insync.sweetwater.com/archive-feb97.html)
DOCUMENTATION / RELEASE NOTES
What’s new / release highlights
- 100% PowerPC native (still runs great on any 68030 Mac or faster)
- Support for Apple Sound Manager — play and record CD-quality digital audio on Power Macintosh with no extra hardware (available as a free upgrade Q1 1997)
- Exceptional sample rate conversion produces virtually no harmonic distortion
- Expanded support for Pro Tools III TDM, including 16 TDM busses, 4 sends per track (pre or post), aux tracks and master faders
- Supports QuickTime Musical Instruments — plays MIDI on Macintosh internal speaker
- Drag-and-drop markers on the main tracks overview and audio editor
- “Unlimited” “takes” per track — keeps your track list short and manageable
- Nondestructive MIDI output processing
- MIDI echo and arpeggiator effects — now every synth you own can be an arpeggiator!
- Unlimited multiple mixdowns for an entire sequence with instant recall
- Adjust Beats feature lets you drag beats and barlines to line up with notes
- Global selection — data stays selected in all windows, even after successive edits
- Smart Selections™ provides “intelligent assistance” for fast, musical editing
- MIDI scrubbing
- Improved real-time notation — the best automated transcription you can get
New version! Digital Performer 2.0 Macintosh midi sequencing & digital audio recording/editing/mixing/effects / with music notation printing
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Digital Performer 2.1
Date / status: Shipping Jun 1997
CONTEMPORARY REFERENCES
SOS Jul 97 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1997/Sound-on-Sound-1997-07.pdf#page=2) · EM Aug 97 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1997/Electronic-Musician-1997-08.pdf#page=158) · Sound Manager Audio I/O Timing Calibration Guide (https://archive.org/details/digital-performer-2.1-sound-manager-audio-i-o-timing-calibration-guide) · Update Guide – Read This First! Installation Instructions (https://archive.org/details/digital-performer-version-2.1-update-guide-read-this-first-installation-instructions)
DOCUMENTATION / RELEASE NOTES
Release highlights
40 or more tracks of digital-audio recording, mixing, busing, EQ and effects processing on a Power Macintosh, performed nondestructively and in real time without dedicated internal audio hardware
real-time effects, including reverb, compression, limiting, expansion, gating, chorus and echo
new Samplers window for transferring samples between the Macintosh and compatible hardware samplers
local sample storage and integrated DSP processing
expanded integration with contemporary samplers, including the E-mu E4 series
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Digital Performer 2.11
Date / status: Released Sep 26, 1997 at the 103rd AES Convention, New York City
CONTEMPORARY REFERENCES
EM Oct 97 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1997/Electronic-Musician-1997-10.pdf#page=212) · SOS Oct 97 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1997/Sound-on-Sound-1997-10.pdf#page=2) · MOTU.com (https://motu.com/other/press/dp_2.11.pdf) · SOS Dec 97 (https://www.worldradiohistory.com/Archive-All-Audio/Sound-on-Sound-UK/1997/Sound-on-Sound-1997-12.pdf#page=251) · KORG.com (https://web.archive.org/web/20000209122241/http://korg.com/1212_and_dp.htm#dp%202.11%20required)
DOCUMENTATION / RELEASE NOTES
Platform / hardware support
support for Digidesign Pro Tools|24 (introduced Sep 24, 1997, and publicly presented at AES beginning Sep 26, 1997)
Korg 1212 I/O support (https://web.archive.org/web/19990127105324/http://www.korg.com/1212_and_dp.htm)
Apple Sound Manager support
Digidesign AudioMedia II and AudioMedia III support
free eVerb MAS plug-in
MAS support announced by DUY for four plug-ins
support for contemporary Akai, Roland and E-mu samplers
Korg 1212 I/O configuration
Configuring Digital Performer
Digital Performer features fully integrated, direct support for the 1212 I/O. If the 1212 I/O is selected as the Sound Manager input and output device, this may cause problems during the initial Digital Performer audio hardware configuration process. Before configuring Digital Performer for use with the 1212 I/O, we recommend temporarily de-selecting the 1212 I/O in the Sound control panel, as described below.
To configure Digital Performer for use with the 1212 I/O:
1. Quit Digital Performer, if it is currently running.
2. Open the Sound control panel.
3. Select "Built-In" for both Input and Output.
4. Open Digital Performer.
5. Make sure that the MOTU Audio System is selected as the Audio System (in the Basics menu).
6. In the Basics menu, select MOTU Audio System options->Configure Hardware Driver.
The Configure Hardware Driver dialog will appear.
7. Select "Korg 1212" from the menu at the top of the dialog.
8. Set the other parameters as desired, and then press OK.
9. Quit Digital Performer.
10. Go back to the Sound control panel, and re-select the 1212 I/O for Input and Output.
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Digital Performer 2.2
Date / status: Late 1997
CONTEMPORARY REFERENCES
New Features in Digital Performer 2.2 (https://web.archive.org/web/20000823145649/http://www.motu.com/english/software/dp/dp22/dp22.html) · EM Aug 98 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1998/Electronic-Musician-1998-08.pdf#page=102)
DOCUMENTATION / RELEASE NOTES
What’s new in Digital Performer 2.2
What’s New in Digital Performer Version 2.2
• Stereo tracks—edit, mix & process sample-locked stereo audio
• Stereo PureDSP time-scaling and pitch-shifting
• Mono & stereo crossfades—includes batch processing, background processing and custom fade curves
• Sound Manager support—no extra hardware needed to record, play, edit and mix CD-quality hard disk audio on Power Macs
• Support for KORG 1212 I/O audio card
• 32-bit real-time audio effects, including 8-band parametric EQ (up to 40 bands per track), hi-fidelity reverb (eVerb), dynamics, chorus, echo and more
• Dozens of effects presets
• Custom effects presets
• Unique Sample System—drag and drop audio between your Mac and today’s popular samplers
• Support for Adobe Premiere™ audio plug-ins with background processing
• Virtually unlimited audio tracks with new Bounce to Disk feature
• And much more…
Installation
Installing Digital Performer 2.2 from this CD-ROM
1. Insert this disc into your Macintosh.
2. Double-click the “Install Digital Performer 2.2” icon (or the 2.2J icon for the Japanese version).
3. Follow the directions the installer gives you.
4. When the installer asks for it, insert the Digital Performer 3.5-inch authorization disk that accompanies this CD-ROM.
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Digital Performer 2.3
Date / status: Shipping by Jan 29, 1998; presented at NAMM Jan/Feb 1998
CONTEMPORARY REFERENCES
New features in 2.3 (MOTU.com) (https://web.archive.org/web/19991127154310/http://www.motu.com:80/english/software/dp/dp23/dp23.html) · What’s new in Digital Performer 2.3 (PDF) (https://web.archive.org/web/20000304082632/http://www.motu.com/english/software/dp/dp23/dp23.pdf) · MAS Developer Index (https://web.archive.org/web/20001202020400/http://www1.motu.com/english/motuaudio/plug/auto/action.lasso?-database=masplugs.db&-layout=detail&-response=body.html&-op=eq&-maxRecords=all&-sortfield=product&-sortorder=ascending&-findall) · Screenshot (https://web.archive.org/web/20010613093208/http://www.motu.com/english/software/dp/dp23/mondo23.jpeg) · Sweetnotes by Sweetwater Spring '98 (https://www.sweetwater.com/publications/sweetnotes/sn-spring98/page-10.html) · Digital Performer 2.3 & OS8 by Sweetwater Apri 6 '98 (https://www.sweetwater.com/insync/motu-digital-performer-mac-os8)
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Digital Performer 2.4
Date / status: May 15, 1998 / installer-package build date Jun 4, 1998
CONTEMPORARY REFERENCES
Read This First! Digital Performer 2.4 Installation Guide (https://archive.org/details/digital-performer-2.4-installation-guide) · MOTU.com 2.4 (https://web.archive.org/web/19991127184259/http://www.motu.com/english/software/dp/dp24/24bit.html) · KORG.com Sample-Accurate Sync (ADAT Timecode) New 11/98! (https://web.archive.org/web/19990417203232/http://www.korg.com/1212_and_dp.htm#sample%20accurate%20sync) · MOTU.com (https://motu.com/other/press/dp_2.4.pdf) · Macworld Mar 99 (https://vintageapple.org/macworld/pdf/MacWorld_9903_March_1999.pdf#page=87) · MOTU.com 2408 support (https://web.archive.org/web/20000301035604/http://motu.com/english/motuaudio/2408/2408.html) · Sweetwater Jul 23 1998 (https://www.sweetwater.com/insync/waves-mas-compatibility) · KORG.com Digital Performer 2.4 features more efficient MAS (https://web.archive.org/web/19990417203232/http://www.korg.com/1212_and_dp.htm#2.4%20more%20efficient) · KORG.com Impact of the 1212 I/O on CPU Processing Power. (https://web.archive.org/web/19990417203232/http://www.korg.com/1212_general_info.htm#impact%20on%20cpu) · Sample-Accurate Sync (ADAT timecode) New 11/98! (https://web.archive.org/web/20000209122241/http://korg.com/1212_and_dp.htm#Using%20DP%202.41%20with%20other%20audio%20programs) · EM Aug 98 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1998/Electronic-Musician-1998-08.pdf#page=106)
DOCUMENTATION / RELEASE NOTES
What’s new in Digital Performer 2.4
What's New in Digital Performer Version 2.4
■ Sonic Modulator plug-in — create rich, unique effects with four LFOs, pitch, phase, amplitude & delay
■ 24-bit recordig — complete support for Pro Tools 24
■ Dithering — cconvert 24 bit sessions to 16 bit
■ Sample accurate sync — to ADAT with KORG 1212 or MOTU Audio 2408. Or to DA88 with the 2408 and a DPT
■ Drag & Drop sampler support for Yamaha A3000
■ Drag & Drop effects plug-ins — quickly apply, move and duplicate effects by dropping them into "insert sockets"
■ Plug-in effects grouping — store, recall, move and duplicate effects as a group
■ Auto volume display in dB with boost up to +6dB
■ Audition Premiere plug-ins through your audio card and adjust the preview duration up to 60 sec
■ AIFF/WAV file import/export ■ Drag & Drop MIDI file importing dozens at once
■ and much more ...
Installation
Installing Digital Performer 2.4 from this CD-ROM
1. Insert this disc into your Macintosh.
2. Double-click the "Install Digital Performer 2.4" icon (or the 2.4J icon for the Japanese version).
3. Follow the directions the installer gives you.
4. When the installer asks for it, insert the Digital Performer 3.5 inch authorization disk that accompanies this CD-ROM.
Korg 1212 I/O — sample-accurate ADAT sync
Starting with version 2.4, Digital Performer supports the 1212 I/O's direct ADAT timecode synchronization.
Basic setup instructions
1. In Basic->Receive Sync, under "Type of sync," select "Sample accurate."
2. In Basics->MOTU Audio System Options->Configure Hardware Driver, select the 1212 I/O, and set the Sync Source to "ADAT."
Except when using the original ADAT without a BRC, the Sync Source can also be set to "SPDIF/word clock." Due to hardware restrictions, "Internal" cannot be used when syncing to ADAT timecode.
Remember to set the ADAT's clock source appropriately! See Setting the word clock source on an ADAT system for more details.
For more detailed information on setting up Digital Performer, please consult the Digital Performer 2.4 update documentation.
Use auto-punch
For best results, Korg recommends using Digital Performer's auto punch in/out feature.
Start the ADAT well before the punch-in point
Start the ADAT well before the punch-in point, on the order of 10-15 seconds. Shorter times may work, as long as you always see Digital Performer's counter moving in sync with the tape before the punch-in point arrives.
When using the BRC, turn off Digital Performer's MMC
When using sample-accurate sync in conjunction with an Alesis BRC, Korg recommends that you turn off Digital Performer's MMC (MIDI Machine Control) features
1. Open Digital Performer's MIDI Machine Control window.
2. Make sure that the MMC Master Button (at the top of the window, between the computer and tape icons) is showing a white arrow; this means that it is deactivated.
3. As an added precaution, set the ADAT/BRC online/offline button to "Offline."
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Digital Performer 2.41
Date / status: 1998
CONTEMPORARY REFERENCES
KORG.com (https://web.archive.org/web/20000209122241/http://korg.com/1212_and_dp.htm#Using%20DP%202.41%20with%20other%20audio%20programs)
↑ Back to version index (#post_dp_top)
Digital Performer 2.42
Date / status: 1998
CONTEMPORARY REFERENCES
Sweetwater (https://www.sweetwater.com/sweetcare/articles/motu-issue-what-difference-between-audiodesk-digital-performer/) · Sweetwater. (https://www.sweetwater.com/publications/sweetnotes/sn-earlysummer99/page04.html) · MIX (02/01/1999) (https://www.mixonline.com/sfp/scoring-film-369018)
↑ Back to version index (#post_dp_top)
Digital Performer 2.43
Date / status: 1998
CONTEMPORARY REFERENCES
MOTU.com (https://web.archive.org/web/19991128100245/http://www.motu.com/english/software/dp/dp243/index.html)
↑ Back to version index (#post_dp_top)
Digital Performer 2.5
Date / status: Announced Dec 1, 1998
CONTEMPORARY REFERENCES
MOTU.com (https://web.archive.org/web/19991128140916/http://www.motu.com/english/software/dp/dp25/waveform.html) · EQ Mar 99 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-1999-03.pdf#page=131) · SOS (https://www.soundonsound.com/techniques/stealth-gee3-quicktime-4-sound-synthesis-sampling-streaming) · MOTU.com (https://motu.com/techsupport/technotes/document.2000-01-03.7709829615) · Sweetwater (https://www.sweetwater.com/sweetcare/articles/motu-issue-drag-drop-audio-cd-file-digital-performer) · EM Jun 99 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/1999/Electronic-Musician-1999-06.pdf#page=82)
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Digital Performer 2.51
Date / status: Mar 23, 1999
CONTEMPORARY REFERENCES
2.51 Update (https://web.archive.org/web/20001207173700/http://www.motu.com/downloads/DigiPerfMac/dp251update)
DOCUMENTATION / RELEASE NOTES
2.51 update notes
The enclosed update patcher will update Digital Performer version 2.5 to version 2.51.
Run the patcher, select the installed Digital Performer 2.5 version and update.
Digital Performer 2.51 corrects a file saving problem that resulted in Error=103.
Files that return the Error=103 in DP 2.5 can be opened and resaved with DP 2.51.
This version also corrects a punch in/out record problem.
In DP 2.5, punch in/out record did not work properly when opening a file saved with punch in/out enabled.
Finally, we corrected problems that DP 2.5 had with entering Memory Start/End times.
Audio-system / driver support notes
• Direct I/O support for compatible Digidesign hardware, requiring Digidesign System Init 3.3.1 or later
• improved Direct I/O performance with Pro Tools|24 MIX and MIXplus systems
• improved S/PDIF input through AudioMedia III when switching between DAE and MAS, requiring DAE/DSI 3.3.1 or later
• optional PCI-324 Driver and PCI-324 Sound Manager Driver updates
• support for the blue-and-white Power Macintosh G3
• improved input monitoring in BIAS Peak
• improved support for ASIO hardware like the Yamaha DSP Factory
• intended specifically for Digital Performer 2.5 users operating ASIO hardware
↑ Back to version index (#post_dp_top)
Digital Performer 2.6
Date / status: May 18, 1999
CONTEMPORARY REFERENCES
MOTU.com (https://web.archive.org/web/19991128221936/http://www.motu.com/english/software/dp/dp26/index.html) · EM Jan '00 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2000/Electronic-Musician-2000-01.pdf#page=48) · Sweetwater (https://www.sweetwater.com/insync/oms-freemidi-work-together-digital-performer-patchlists) · Sweetwater (https://www.sweetwater.com/sweetcare/articles/motu-issue-digital-performer-26-duy-plug-ins)
DOCUMENTATION / RELEASE NOTES
Release highlights
• Polar - interactive looping/recording environment
• AudioTap, a plug-in that lets you route audio from any Sound Manager-compatible program directly into Performer
• new color-coding schemes and customization options
• powerful, new, fully integrated 24-bit waveform editor
MOTU Audio System notes
• functionally identical to MAS 2.0 as shipped with Digital Performer 2.6
• improved support for AudioMedia sample rates under the MAS native AudioMedia driver
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Digital Performer 2.61-MTS
Date / status: Update notes dated Oct 18, 1999; released Oct 21, 1999
CONTEMPORARY REFERENCES
MOTU.com (https://web.archive.org/web/19991129052758/http://www.motu.com/english/software/dp/dp261mts/index.html) · MIX Aug '00 (http://worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2000/Mix-2000-08.pdf#page=102) · 2.6 to 2.61-MTS Patcher (Oct 21 '99) (https://web.archive.org/web/20020126110623/http://www.motu.com/downloads/dp/dp261.sit.hqx) · 2.61 Update Notes (Oct 26 '99) (https://web.archive.org/web/20001207173700/http://www.motu.com/downloads/dp/261upnots.pdf)
DOCUMENTATION / RELEASE NOTES
Supported audio systems
Now Supports
• MOTU 2408
• Yamaha DSP Factory
• Sonorus StudI/O
• Event Electronics Layla
All current Digidesign systems including
• Project II
• Pro Tools/24
• Pro Tools/24 Mix
• Pro Tools/24 Mix Plus
What’s new
Some of What’s New in Digital Performer
• Built-in waveform editor — use a pencil to remove clicks and pops at the sample level or perform other “destructive” editing without spending hundreds on extra waveform editing software
• MasterWorks Compressor and Limiter plug-ins — 64-bit mastering plug-ins with lookahead peak-limiting and all the advanced features you need
• Graphic 8-band EQ
• Sample-accurate editing — zoom in to the sample level and nudge MIDI and audio events by as little as one sample
• Pro Tools|24 MIX and MIXplus support
• Support for Sonorus StudI/O™, Yamaha DSP Factory™, and Event Layla™
• Digidesign Direct I/O support
• Normalize
• Fade In/Out
• Project copying/backup enhancements — “easily” collect all related audio/fade/analysis files when copying or archiving projects
• and much, much more...
Installation
Installing Digital Performer from this CD-ROM
1. Insert this disc into your Macintosh.
2. Double-click the “Install Digital Performer” icon (or the “Digital Performer-J” or “Digital Performer-F” icons for the Japanese or French versions).
3. Follow the directions the installer gives you.
System requirements / shipping audio system
Digital Performer requires a Power Macintosh with 32 Mb of RAM or more and System 7.5.5 or higher. System 7.6.1 or later is recommended. A 17-inch monitor (or larger) is highly recommended. However, this configuration will not be able to play and record audio under Sound Manager.
current shipping MOTU Audio System 2.03, PCI-324 Driver 1.4 console applications for all MOTU audio hardware, ASIO 2 driver for MOTU hardware
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Digital Performer 2.7
Date / status: First demonstrated at Macworld 2000, San Francisco, Jan 4, 2000; final application build Apr 12, 2000; publicly available by May 8, 2000
AUTHORIZATION CHANGE
Does not require a Master Disk.
CONTEMPORARY REFERENCES
MOTU.com (https://motu.com/other/press/macworld2K/dp27.pdf) · Sweetwater Spring '00 (https://www.sweetwater.com/publications/sweetnotes/sn-earlyspring2000/page05.html) · EM Oct '00 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2000/Electronic-Musician-2000-10.pdf#page=150) · EM '01 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2001/Electronic-Musician-2001-Personal-Studio.pdf#page=13) · Line 6 Pro Console for DP 2.7 (https://www.danphillips.com/music_tools_files/pod_pro_consoles_for_dp2.7.sit)
DOCUMENTATION / RELEASE NOTES
Installation / authorization
Installing Digital Performer 2.7 from this CD-ROM
1. Insert this disc into your Macintosh.
2. Double-click the “Install Digital Performer” icon (or the “Install Digital Performer-J” icon for the Japanese version).
3. Follow the directions the installer gives you.
5. When the installer asks for it, type in the Digital Performer authorization code found on the inside back cover of your Digital Performer Update Guide. If you are updating from Version 2.5 or 2.6, use your 2.5 or 2.6 authorization code.
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Digital Performer 2.71
Date / status: Jun 2000
CONTEMPORARY REFERENCES
Patch (https://web.archive.org/web/20000929041441/http://www.motu.com:80/downloads/dp/dp_2.71patch.sit.hqx)
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Digital Performer 2.72 / USB-Mac Compatible
Date / status: Final application/updater build dated Sep 28, 2000
DOCUMENTATION / RELEASE NOTES
Supported systems / MTS / awards
Now supports • MOTU Audio System • ASIO 1.0 • ASIO 2.0 • DAE/TDM Including the following Digidesign Systems: • Project II • Pro Tools|24 • Pro Tools|24 Mix • Pro Tools|24 Mix Plus.
Includes our exclusive new MIDI timing technology: MTS - MIDI TIME STAMPING. Includes MTS™ — the most accurate MIDI timing available. "If timing is everything, MOTU is definitely on top. This is one tough program to beat." — Electronic Musician, January 2001.
Electronic Musician 2000 Editors Choice, 2001 Editors Choice, TEC Award Winner ×4, Macworld World Class Award Winner ×2, 1998 Eddy Winner
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Digital Performer 3.0
Date / status: Jan 18, 2001
CONTEMPORARY REFERENCES
MOTU.com (https://web.archive.org/web/20010609190822/http://www.motu.com/english/software/dp/dp30/editing.html) · EM Apr '01 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2001/Electronic-Musician-2001-04.pdf#page=38) · MIX Mar '01 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2001/Mix-2001-03.pdf#page=26) · EQ Mar '01 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2001-03.pdf#page=72) · EQ May 01 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2001-05.pdf#page=145) · Line 6 Pro Console for DP 3.x (https://www.danphillips.com/music_tools_files/pod_pro_consoles_for_dp3.sit)
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Digital Performer 3.01
Date / status: Sep 24, 2001
CONTEMPORARY REFERENCES
EQ Nov '01 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2001-11.pdf#page=66) · Sweetwater (https://www.sweetwater.com/insync/crashing-mas-plug-ins/)
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Digital Performer 3.02
Date / status: Dec 13, 2001
CONTEMPORARY REFERENCES
MIX May '02 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2002/Mix-2002-05.pdf#page=90) · MIX Jul '02 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2002/Mix-2002-07.pdf#page=210) · EM Aug '02 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2002/Electronic-Musician-2002-08.pdf#page=92) · This document will help you set up your MOTU and Digidesign audio hardware with Soft SampleCell, and Digital Performer (https://web.archive.org/web/20040428041757/http://www.motu.com:80/downloads/Other/SoftSampleCell.pdf)
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Digital Performer 3.1
Date / status: Q1 2002
CONTEMPORARY REFERENCES
Sweetwater (https://www.sweetwater.com/insync/common-digi002-questions/) · EQ Oct '01 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2001-10.pdf#page=68) · EQ Jan '02 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2002-01.pdf#page=90) · EQ Mar '02 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2002-03.pdf#page=58) · MIX Mar '02 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2002/Mix-2002-03.pdf#page=128) · EM Sep '02 (https://www.worldradiohistory.com/Archive-All-Music/Electronic-Musician/2002/Electronic-Musician-2002-09.pdf#page=74) · MIX Oct '02 (https://www.worldradiohistory.com/Archive-All-Audio/Mix-Magazine/00s/2002/Mix-2002-AES-New-Products.pdf#page=14)
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Digital Performer 3.11
Date / status: Oct 23, 2002
CONTEMPORARY REFERENCES
EQ Feb '03 (https://www.worldradiohistory.com/Archive-All-Audio/EQ-Magazine/EQ-2003-02.pdf#page=82)
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